Chashme Buddoor (1981)

On friendship day, recalling an on-screen friendship that is closest to how friends are in real life....

Three students renting a flat in a big city- all of them single, lazy, carefree, and most of the times out of cash. Sounds familiar? It is the story that plays out in our cities, especially Delhi and Mumbai, at more places than one. Sai Paranjape’s ‘Chashme Buddoor’ is a delightful take on bachelorhood and friendship. The three guys Siddharth, Omi, and Jai are played by Farooq Sheikh, Rakesh Bedi, and Ravi Baswani repectively. While Omi and Jai are quite exuberant and overtly desperate to have girlfriends, Siddharth is a shy person more interested in books than girls (He is made to wear thick spectacles to drive this point home I guess).

A delightful intrusion in their daily routine comes in the form of a charming young girl (Deepti Naval) that they spot from the window of their flat. Omi and Jai decide to take turns at attempting to woo her. The urgency and the excitement that this mere sighting of a pretty girl in the neighborhood brings to these two is quite relatable to what actually happens even in this time and age. They offer Siddharth an attempt at wooing her, but he declines. Then one by one Omi and Jai visit the girl’s home in the neighborhood. While Jai gets thrown out by the girl’s hefty brother, Omi walks out of her place after being mistaken for a plumber. Subsequently both of them, instead of admitting their failures in front of Siddharth, hatch up false stories of how they managed to woo the girl successfully and how she went on a date with both of them. Then on the pretext of sacrificing the girl for each other, they end the matter and vow to never think about the girl again.

Unknown to both of them, the same girl visits their home on a sales assignment for the ‘Chamko’ brand of detergent powder. Siddharth, being the only one at home, interacts with her and watches the whole sales demonstration, completely dazed by her charm and affability. In a not entirely chance encounter, they meet again. Slowly Siddharth and Neha, or Miss Chamko as he calls her, fall for each other and start meeting quite frequently. Siddharth also manages to get a job and later on, to his utmost surprise, he discovers that his boss is none other than Neha’s father. Things couldn’t be more perfect of Siddharth, but then Omi and Jai get to know about his affair with Neha. Slightly jealous of the fact that their friend had managed to woo a girl they couldn’t- they false a false picture about Neha in the mind of Siddharth.

The story is really uncomplicated and light hearted. The director creates an engaging set of characters and gives complete focus to their interplay and interactions instead of introducing unnecessary twists and turns and sub-plots. The actors do a good job and pitch in with truly natural performances. All of them are highly commendable, even the interesting role played by Saeed Jaffery of that of a neighborhood ‘panwallah’ who continuously keeps reminding them of their rising debt on cigarettes, but despite that takes keen interest in their affairs and wishes the best for them.

The one thing I didn’t like about this movie was its climax, which was probably designed as a tongue in cheek take on the way most Bollywood movies were at that time. Another instance the director tried using this tool was when Siddharth and Neha ridicule how film couples singing songs in gardens etc. when a plethora of people can watch them, but subsequently break into a song themselves. This sequence however is quite cute and brings a smile to your face. As a parting note- that can be said for the whole movie too…

PS- As per reports David Dhawan is remaking this film pretty soon- In my opinion he will murder the film by introducing unnecessary gags and songs- and will kill the soul of the film- i.e. its simplicity.

Sparsh (1980)

The subject of disability on celluloid has its share of fans but I am certainly not one amongst them. I, for one, could not comprehend Sanjay Leela Bhansali’s ‘Black’ and found it quite tedious to sit through. His ‘Guzaarish’ was no masterpiece for me either. So when I decided to watch Sai Paranjpai’s ‘Sparsh’, I was a little apprehensive despite being a great fan of her other noted works- ‘Katha’ and ‘Chashme Buddoor’. It stars Naseeruddin Shah and Shabana Azmi- two of the most celebrated actors in Hindi cinema- and after you finish viewing this little gem- you would have no doubts remaining as to why these two are so highly rated. Naseeruddin Shah plays Anirudh, a blind man, who runs an institute for blind children. Shabhana Azmi plays Kavita, a widow, who has not recovered from the death of her husband even three years hence.

Anirudh is shown to be self-reliant man who scorns at any efforts made to help him lead his life. He hates it when blind people are referred to as ‘Bechaaras’. His is a really strong persona that commands respect from his students and staff alike. One, however, wonders whether this show of strength and courage an effort made by him to conceal the pain and incompleteness he feels within himself. Kavita on the other hand makes no attempt to hide her dolefulness and lack of purpose in life. She spends all her time in singing and gardening.

The story starts off really slowly with hardly any movement in the first twenty minutes. However things pick up considerably when Kavita joins Anirudh’s institute as a mentor, guide, and friend to the children. They warm up to her immediately and start reveling in her presence. Even she is thrilled to receive so much love and respect from them. She starts coming to the institute on a regular basis and starts devoting her entire time and energies completely to the happiness and benefit of the children. She tells them stories, helps them prepare for dramas, but more than all this, she gives them the motherly love they were devoid of earlier. Meanwhile, the bond between Kavita and Anirudh starts getting stronger with each passing day. Regular meeting and interactions slowly gets translated into mutual liking. So much so that after some time they realize that they both need each other in their lives and decide to get married. However complications arise in the form of Anirudh’s self doubts that get elevated by a few stray remarks made by his acquaintances. He starts to feel that Kavita is making a sacrifice by marrying him and is forcing herself into lifelong misery and compromise.

The running of the blind school is shown remarkably well. It looks like considerable research went into the whole thing and the results are just amazing. All the kids perform naturally, so much so that one is forced to wonder whether they were actually blind or just acting. There is one kid ‘Paploo’ who stands out, and incidentally he is the only kid in the school with the gift of sight. There is a small track about him feeling jealous of the blind kids as they managed get more attention from their aunty Kavita. There are a lot of moments between the kids and Kavita that are so endearing that you can’t help smiling. The drama between Anirudh and Kavita too is very engaging. Same is the case with the interactions between Anirudh and his sighted assistant to whom acts as a ‘love guru’ (borrowing a modern lingo).

The strength of this movie lies in its dialogues. Unlike many other movies from the 1970s and 80s that looked like they were made without prior written material, this one looks like it was made after meticulous planning. The story is set in the suburbs of South Delhi- and even the locations are devoid of any misery or darkness just like the content. The music is soothing and works well for the film, however it boasts of no songs that are popular even today.

Parting note- Sparsh is a happy movie about life and learning to cope with its losses. Never once is a kid shown crying over his lack of sight, or feeling depressed about it. And that, for me, is film’s greatest victory. Sai Paranjpye more than deserves all the plaudits she got for making this, so did Naseeruddin Shah (who got the National Award) and Shabana Azmi. Sanjay Leela Bhansali needs to take a cue from this movie and reflect on how he could have treated his earlier movies better.